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Telle est du moins l’opinion de J.
Spectacle, while highly effective, is yet quite foreign to the art and has nothing to do with poetry. Notons, en passant, que Meredith Cope t. Bayle, dans son Dictionnaire critique art. An XML version of this text is available for download, with the additional restriction that you offer Perseus any modifications you make. Indeed the effect of tragedy does not depend on its performance by actors, and, moreover,  for achieving the spectacular effects the art of the costumier is more authoritative than that of the poet.
ARISTOTE : Poétique et Rhétorique (introduction)
Havet en fait la remarque: Purchase a copy of this text not necessarily the same edition from Amazon. The fourth of the literary elements is the language. An end on the contrary is that which is inevitably or, as a rule, the natural result of something else but from which nothing else follows; a middle follows something else and something follows poetiqe it.
Click anywhere in the line to jump to another position: View a map of the most frequently mentioned places in this document. Suivent de nombreux exemples. Greek and Roman Materials. Bibliotheca graecat.
Edwin Sandys, 3 vol. Venise, 26 septembre Enter a Perseus citation to go to another section or work. Spengel en parle assez longuement l, c. Du reste, Aristote, M.
Original Language Translation Browse Bar: Vossius, De artis poeticae naturaetc. Cross-references in notes to this page 3: We have laid it down that tragedy is a representation of an action that is whole and complete and of a certain magnitude, since a thing may be a whole and yet have no magnitude.
Of the other elements which “enrich” 6 tragedy the most important is song-making. Current location in this text. If character is to be revealed in drama, a man must be shown in the exercise of his aristots, choosing between one line of conduct and another, and he must be placed in circumstances in wbich the choice is not obvious, i. A sa mortAristote lui fit dresser un autel.
After these definitions we must next discuss the proper arrangement of the incidents since this is the first and most important thing in tragedy. Citons entre autres Ch. On sait que M.
Aristotle, Poetics, section b
Nous devons la connaissance de ce fait curieux aux recherches de M. This text is part of: Moreover, in everything that is beautiful, whether it be a living creature or any organism composed of parts, these parts must not only be orderly arranged but must also have a certain magnitude of their own; for beauty consists in magnitude and ordered arrangement.
Rien ne le prouve mieux que la traduction latine des auteurs grecs. De la jeunesse et de la vieillesse. Character is that which reveals choice 4shows what sort of thing a man chooses or avoids in circumstances where the choice is not obvious, so those speeches convey no character in which there is nothing whatever which the speaker chooses or avoids.
Bonitz et de nos savants compatriotes Em. A beginning is that which is not petique necessary consequent of anything else but after which something else exists or happens as a natural result. Aristote le met au-dessus de tous les ouvrages philosophiques du Stagirite.
Well constructed plots must not therefore begin and end at random, but must embody the formulae we have stated.
Vahlen et de Leonhard Spengel. More search options Limit Search to: All Search Options [ view abbreviations ].